V&A East Museum · London · 2026

Towards a Civic Museum

A large site-specific window that turns a collaborative artistic proposition into glass, lead, paint, engraving and light.

The completed stained-glass window illuminated beside the entrance to V&A East Museum
The completed window at the V&A East Museum entrance.
Project
Towards a Civic Museum
Location
V&A East Museum, London
Scale
Approximately 3 × 4.5 metres
Construction
Nine stained-glass panels in three steel frames
Making time
Approximately 650 hours over eight weeks
Completed
2026

From concept to construction

Tania Bruguera was invited by the museum as an established international artist. She conceived the project with a local East London youth group, generating the ideas and motifs that the window would carry. Those concepts were then passed to me to resolve as a stained-glass design and fabricate at full architectural scale.

My role covered the complete making process: developing the full-scale design, selecting and cutting every piece of coloured glass, painting and firing the imagery, leading and engraving the panels, and making the supporting metal frames. I installed the frames at V&A East and fitted the completed windows with Eleanor Watson.

The challenge was to condense a substantial set of ideas into a design that could be approved and then made in a very short period — without losing the character of the collaboration.

The making

Nine panels, made by hand

  1. 01
    A steel section being cut for one of the window's supporting sub-frames
    Making the steel sub-frames for the nine panels.

    Drawing and structure

    The approved design was enlarged to full size and redrawn across nine templates. Three steel sub-frames divided the architecture into manageable panels.

  2. 02
    Richard Paton painting one of the detailed motifs for the stained-glass window
    Painting one of the window’s figurative details.

    Glass, paint and fire

    Around thirty types of stained glass were selected and cut. Painted elements were built through three kiln firings using enamel paints and silver stain.

  3. 03
    Finished fox panel, Richard engraving lettering into lead, and the resulting lead shavings
    Gilding and engraving the finished leadwork.

    Lead and engraving

    Each panel was leaded, soldered, cemented and polished. The project text was engraved into widened lead lines on both sides so it can be read from inside and outside.

  4. 04
    Six views of the stained-glass panels being installed and illuminated at V&A East Museum
    Installation and the completed window in daylight.

    Installation

    The steel frames were fitted to the building first. Richard and Eleanor Watson then installed the nine finished panels in time for the museum’s opening.

Working against the opening date

The hardest part was getting the project moving. The concepts arrived late and needed to become a coherent, buildable design in time for V&A approval before the new museum opened. That left very little room for the physical making of a window of this scale.

The programme was intense, but the window was completed and installed on schedule. Being part of a major collaborative work for a flagship new London building — and delivering it to the delight of everyone involved — was the most satisfying part of the project.

Credits

Artist and concept
Tania Bruguera
Collaborators
East London youth group
Stained-glass design and fabrication
Richard Paton
Installation
Richard Paton with Eleanor Watson
Commission
V&A East Museum